Project statement
The human emotions set astir by change, whether good or bad, are indicators that expected patterns have been disrupted and new patterns are about to emerge. In a similar way, when calm water becomes unsettled it’s typically a sign of change in atmospheric pressure. As wind breathes onto rainwater’s surface beautifully uneven, jagged patterns are set into motion, stretching, swirling, shifting.
On blustery days, I work in the forest to capture these distinctive patterns of wind on water using a mind-body technique similar to an ancient art form. Suminigashi which translates to “floating ink”, was a process used in the meditation practice of monks in 12C Japan. I monoprint onto paper directly from the surface of unsettled rainwater after alternating coloured inks with bamboo brushes tips. I use this old way to be calm and present in my immediate surroundings while experiencing the atmospheric forces that impact plants .






Wind Astir 1, 2, 3 – ink on cellulose fibre paper, 17″and 15″
Wind Astir 4 & 5 – ink on rice paper, 15″
